Om mig
- Stene Anker
- Oslo, Norway
- Nysgjerrig. Autodidakt. Frilanser. Musiker. Skribent. Meningsfull. Byråkrat. Meg selv, på de fleste plan, med stor nysgjerrighet for livet utenfor det såkalte normale. Tilhenger av det rettferdige og samarbeid på tvers av alt. Leser og skriver der jeg har lyst. Fetisjist, hedonist, eksibisjonist, og biseksuell. Pround to be a member of FRI/LLH, Sex&Politikk, SMil Norge og Oslo BDSM! ⊙ Oslo C · steneanker@gmail.com steneanker.wordpress.com
lørdag den 28. november 2015
Magic Penny
Love is something if you give it away,
Give it away, give it away.
Love is something if you give it away,
You end up having more.
It's just like a magic penny,
Hold it tight and you won't have any.
Lend it, spend it, and you'll have so many
They'll roll all over the floor.
Magic Penny from Malvina Reynolds`song - 1948.
Din Tøs i regnet
Hun flørter med de grå skyene
Den triste himmelen faller for henne
Deres melankolske elskov
kler henne naken i regnet
lossius-2006
Den triste himmelen faller for henne
Deres melankolske elskov
kler henne naken i regnet
lossius-2006
lørdag den 21. november 2015
Ræk højt
Ræk højt, for stjernerne ligger gemt i dig.
Drøm dybt, for hver drøm går forud for målet.
Kvinden
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tirsdag den 3. november 2015
‘A few Words on the Soul’
We have a soul at times.
No one’s got it non-stop,
for keeps.
No one’s got it non-stop,
for keeps.
Day after day,
year after year
may pass without it.
year after year
may pass without it.
Sometimes
it will settle for awhile
only in childhood’s fears and raptures.
Sometimes only in astonishment
that we are old.
it will settle for awhile
only in childhood’s fears and raptures.
Sometimes only in astonishment
that we are old.
It rarely lends a hand
in uphill tasks,
like moving furniture,
or lifting luggage,
or going miles in shoes that pinch.
in uphill tasks,
like moving furniture,
or lifting luggage,
or going miles in shoes that pinch.
It usually steps out
whenever meat needs chopping
or forms have to be filled.
whenever meat needs chopping
or forms have to be filled.
For every thousand conversations
it participates in one,
if even that,
since it prefers silence.
it participates in one,
if even that,
since it prefers silence.
Just when our body goes from ache to pain,
it slips off-duty.
it slips off-duty.
It’s picky:
it doesn’t like seeing us in crowds,
our hustling for a dubious advantage
and creaky machinations make it sick.
it doesn’t like seeing us in crowds,
our hustling for a dubious advantage
and creaky machinations make it sick.
Joy and sorrow
aren’t two different feelings for it.
It attends us
only when the two are joined.
aren’t two different feelings for it.
It attends us
only when the two are joined.
We can count on it
when we’re sure of nothing
and curious about everything.
when we’re sure of nothing
and curious about everything.
Among the material objects
it favors clocks with pendulums
and mirrors, which keep on working
even when no one is looking.
it favors clocks with pendulums
and mirrors, which keep on working
even when no one is looking.
It won’t say where it comes from
or when it’s taking off again,
though it’s clearly expecting such questions.
or when it’s taking off again,
though it’s clearly expecting such questions.
We need it
but apparently
it needs us
for some reason too.
but apparently
it needs us
for some reason too.
Wislawa Szymborska, the Polish poet
(Translated from the Polish by Stanislaw Baranczak and Clare Cavanagh)
mandag den 2. november 2015
No words
There are no words to express the abyss between isolation and having one ally. It may be conceded to the mathematician that four is twice two. But two is not twice one; two is two thousand times one.G.K. Chesterton
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